With themes of Family, School, Pets, the Wild, Being a Poet and Personal Favourites, this is an outstanding, exuberant collection of the very best work from one of the best-loved poets writing today. PoetryZone.Book Synopsis What is your favourite word?įrom cool boys and Year Six Sisters to the chicken school timetable from Dad's terrible dancing to Mum's cunning treasure trail dogs, hamsters, and dragons sad times, happy times, love and togetherness - plus the joy and fun of poetry. He is a regular contributor to educational journals and conferences, a National Poetry Day Ambassador for the Forward Arts Foundation, and a founding member of the Able Writers scheme with Brian Moses. When not writing, he visits schools, libraries and festivals performing his work and running workshops for young people and teachers. Roger’s books include Apes to Zebras, an A-Z of Shape Poems, Bloomsbury, I Am a Jigsaw Puzzling Poems to Baffle your Brain (Bloomsbury 2019), Moonstruck an Anthology of Moon Poems (Otter-Barry) and Be the Change, Poems to Help you Save the World, Macmillan. Roger Stevens has been writing and editing poetry collections for children for 25 years. We have a wealth of talented young writers all over the world – a cause for optimism and hope for the future of poetry. One thing has stood out over the years: Poems by children can be every bit as good as poems written by grown-ups. My reward has been seeing children enjoy everything that poetry has to offer – whether they are writing it or reading poems written by others and commenting on them. The Poetry Zone has never made any money. So, yes, running the website has been worth it! I have never allowed advertising on the site. Violet has just won the Sir Peter Ustinov Television Scriptwriting Award for ‘The Wolf’ in the 2019 Emmy World Television Festival. Violet and Celina Macdonald also began sending poems to the Poetry Zone when they were young children and carried on well into their teens. They lived in Tasmania then. She is still young, but already an accomplished poet: I encouraged her to practice, which she did. Harshita Das began contributing to the Poetry Zone from her home in India when she was around six years old. One of my regulars, American Claudia Taylor, was Commended in the Foyle Young Poets of the Year – I was very proud that she acknowledged my help when she received the award. I have always provided feedback when wanted and mentored quite a few contributors. Many children have grown up with the Poetry Zone, regularly sending me poems over the years. Last year Troika published The Poetry Zone book featuring some of these poems. In 21 years, the Poetry Zone has received more than a million visitors and I’ve read and published around 30,000 poems by children and teenagers. The Poetry Zone has featured reviews of new poetry books and run more than 1,000 competitions – with publishers kindly donating prizes. With some tips and a few lesson plans, those wary of teaching poetry have found out how rewarding it can be and how writing a poem can unlock the talent of even the most recalcitrant of pupils. I added interviews with children’s poets to the website and information and advice for teachers. They came from all over the English-speaking world – the UK, USA, Canada, New Zealand, Australia and from India, Japan and other parts of Asia. Sometimes poems would come from individuals who were writing at home. Sometimes I would receive poems from every member of a class – the Poetry Zone had become a useful schools resource. We started slowly, but within just a couple of years thousands of children were sending in poems and I was being contacted by grateful teachers and parents. I knew it would be hard work – the project was me and me alone, every poem had to be read, vetted and the format tidied up for publication – but I thought it would be worth it. By launching the Poetry Zone I created somewhere for children and teenagers to send their poems and, importantly, see them published a website where they could share their poetry and where it would be taken seriously. This – and a desire to give young writers a wider audience – was why I launched the Poetry Zone 21 years ago. Seeing their poems in print seemed to validate the work for them and gave them something tangible to take away and to share with their family and friends. This book was often the highlight of the afternoon for the children. When I began going into schools as a visiting author, I would sometimes run workshops that culminated in the production of a printed collection of the work produced by the pupils. The Poetry Zone – 21 years of children’s poems
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Tailored pump-over techniques are used for optimal extraction, and the wine is aged in hand-selected, custom-toasted barrels of French Nevers oak (100% new). Each vineyard is vinified separately and monitored carefully from the moment the fruit comes into the winery at harvest. The Beringer reserve vineyards offer Cabernet Sauvignon of such quality that a minimalist approach to winemaking has long defined this special blend. Grapes for the 2014 Private Reserve Cabernet Sauvignon were harvested between September 11th and October 10th. Each lot is closely watched during the ripening period to determine ideal pick time. Marston Ranch Vineyard on Spring Mountain and Derr Family Vineyard on Mount Veeder both provide 7% each to the final blend, and finally, 4% of the Cabernet Sauvignon was sourced from the Kenefick Vineyard in Calistoga. Helena Home Vineyard, as well as the Chabot Vineyard in the St. A significant portion (20%) comes from the St. VINEYARD NOTESīancroft Ranch and Steinhauer Ranch vineyards atop Howell Mountain provide the foundation (62%) for the 2014 blend. Wonderful upon release, the wine will reward patient aging for many years. Open and approachable, with soft and silky tannins, this expression of Private Reserve shows plenty of dark fruit aromas and flavors, with blueberry, blackberry and black cherry much in evidence alongside aromas of violets, licorice and evident oak spice. Accordingly, it will drink well with minimal cellaring." - Antonio Galloni, Vinous, October 2016 TASTING NOTES Interestingly, the Private Reserve is more accessible than some of the single-vineyard Cabernets. Rich and seamless on the palate, the 2014 possesses striking depth, along with scents of black cherry, chocolate, menthol and spices. "Beringer's flagship 2014 Cabernet Sauvignon Private Reserve is mostly Howell Mountain fruit. Parker Jr., The Wine Advocate, December 2016 94 POINTS - VINOUS It should drink well for 20-25 years, as these wines have an impeccable track record of ageability.” - Robert M. The texture is open and lush, and the wine more forward and sexy than the 2013 was at a similar stage of development. “Always the best of all of them is the 2014 Cabernet Sauvignon Private Reserve.The wine has an inky purple color, a big, sweet kiss of pen ink, graphite, cedar wood, licorice, blackberries and blackcurrants with some background oak, but it’s dominated by the fruit extract and the full-bodied richness and glycerin this wine possesses. It has the purity to drink nicely today, yet needs 4-5 years of cellaring to show its potential." - Jeb Dunnuck, December 2017 95 POINTS - WINE ADVOCATE Rich, full-bodied and beautifully concentrated, it's tight and backward, and is more reminiscent of a 2013 than a 2014. "The flagship Private Reserve sports an inky, opaque color to go with killer notes of blackcurrants, scorched earth, hints of oak, graphite and minerality. Beringer’s extraordinary collection of vineyards is the result of a significant and decades-long relationship between viticulture and winemaking. I can't imagine this distinctly cool wine blossoming in the bottle.With each vintage of the acclaimed Private Reserve Cabernet Sauvignon, the Beringer winemaker chooses the best lots from our reserve vineyards in the Napa Valley, each of which demonstrates remarkable expression of terroir. Finishes brisk but a bit sour, with some spiky acidity and lingering pepper and herb notes. Spicier and leaner than the young 2012, with a strong impression of acidity and an herbal element giving a tart quality to the blackberry, graphite and leather flavors. Rather cool aromas of plum syrup, cocoa powder, licorice and fresh herbs. 71% cabernet sauvignon, 11% merlot, 9% petit verdot, 8% cabernet franc and 1% malbec." - James Suckling (May 15, 2014)ĩ0 Points - Stephen Tanzer's International Wine Cellar: This is a subtly fruity, juicy red with a pretty texture. It's full-bodied, with soft, silky tannins and a clean, fresh finish. "This is very aromatic and pretty with plum, cherry and currant aromas, plus hints of chocolate. The blend is 71% Cabernet, 11% Merlot, 9% Petit Verdot/8% Cabernet Franc and 1% Malbec." -Antonio Galloni (November 2013) Readers will note the lower than normal presence of Cabernet Sauvignon in the 2011, which is typical for a year in which blenders play an important role. Sweet floral and spiced notes lead to expressive dark red berries, mocha, anise and new leather in a brilliant Opus One. A brilliant, precise wine, the 2011 impresses for its energy. "The 2011 Opus One may turn out to be one of the surprises of the year. 100 freebore, accuracy may not be great, unless longer OALs are used. I have also heard that the suggested OAL results in a huge jump to the lands, and given the. I see little use for the 1:10 since this cartridge almost seems silly if you are not going to use it with subsonic ammo. Originally Posted By: HTR707Most barrels will use the 1:8 twist, and especially if you shoot the 220 SMK subsonic load. I started this thread in an effort to expedite the development of this cartridge. I am not affiliated in any way with AAC or the Freedom Group. Other companies developing products for the 300 BLK can be found here: Noveske is developing barrel assemblies for 300 BLK. 073 (.093 was required when using subsonics) Wilson Combat is using the following gas port sizes:ġ1" pistol gas. Gas port diameters remain undisclosed and have been deemed proprietary corporate information by AAC / Robert Silvers. (If using an AR.)ĪAC is currently using a pistol length gas system in their 9" barrels and a carbine length one in 16". When posting please be sure to include barrel length, twist rate, chamber type and gas tube position. Please post both supersonic and subsonic load data. The max case length is 1.368", chamber is 1.378 to where the case mouth would be. The headspace is exactly the same as 221 Fireball, the chamber is exactly the same as the 221 Fireball except the neck is. (Check with the manufacture for compatibility and always have the chamber reamed when in doubt.)Ĭhamber details as posted on another forum: The 300 BLK has a larger throat and therfore 300 BLK factory loading could cause excess pressure in 300 Whisper (R) / 300 Fireball chambers. 300 BLK cartridges and 300-221 Rem Fireball cartridges should be thought of in the same way. 5.56x45mm NATO Brass can be used as the parent brass and then resized / trimmed. The more people that ask for it the more likely they will produce it: (AAC has stated on other forums that they would provide the cartridge drawings to them if asked.) It would be awesome to see Redding pickup this cartridge as well. Set of Full Length Sizing Die and Ultra Micrometer Seating Die, 300 BLK, Part #U04453.Set of Full Length Sizing Die and Standard Seating Die, 300 BLK, Part #004453.Ultra Micrometer Seating Die only, 300 BLK, Part #U00099.Standard Seating Die only, 300 BLK, Part #006205.Full Length Sizing Die only, 300 BLK, Part # 005545.Reloading Dies are available from Forster Remington AccuTip 125 grain, OAL: 2.085.Nosler Ballistic Tip 125 grain, OAL: 2.085.Here are some suggested OAL for popular bullets: With 300 BLK ammo, the contact is on the bullet.īecause the bullet is a larger diameter, the rib will push the cartridges out of alignment,Īnd can lead to binding potentially resulting in Failures to Feed.įor this reason, it is important to load ammunition so that the contact point with the magazine rib is on the bullet ogive in an area of about 0.250 inch diameter. Sierra 220 MK loaded to 2.089 OAL (this length is optimal for reliable feeding from USGI magazines)Įxisting AR magazines have a rib which normally contacts the 5.56mm case-neck.Look for a load which results in a cyclic rate of 700 rpm or more.ĪA1680 is recommended because its bulk density matches the case capacity and it will generate enough gas pressure to cycle the weapon. These loads pay no attention to automatic rifle function and should not be used. Or for ARs by people not aware of the magazine limitations. Many existing loads were developed for Thompson Center® single-shot pistols, Recommended powder for most supersonic loads is Hodgdon H110.įor subsonic, there are special requirements and nearly all published loads are non-optimal for the 300 BLK upper. If you load your own ammo, pay special attention to all of the normal safety practices. Listed Below is the suggested loading info released by AAC. 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That is not strictly necessary if the page is tagged and an “s object” has already been created on page load. S.tl(this,"d","Link Tracking White Paper") įirst we create a local copy of the “s object” which is used for tracking. S.linkTrackVars="events,prop31,eVar31,eVar32,eVar33" S.prop31=s.eVar31="Link Tracking White Paper" Var s=s_gi(YOUR_RSID) // replace this with yours! All of this can be expressed in Javascript in a small snippet of code: We also have a site heavy on information, so we want to know how many downloads visitors usually do and maybe even in which order. We would ideally like to track a couple of things about this download: a) that it has been clicked, b) its name (“Link Tracking White Paper”), c) its theme (web analytics), d) the origin of the download. Let’s look at a download link that looks like this: Link Tracking White Paper That method is called s.tl() (for track link). 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